GOTHTRONIC.COM (EN)
After having disappeared behind a cloak of silence for a few years, Eternal Deformity returned in 2008 with a brand new album, their fourth to be exact. This CD was my first acquaintance with this Polish band, and I must say it was a pleasant one. The modern and diverse gothic dark metal possesses a subtle avant-garde inclination, and manages to evade the clichés with nimble ease without becoming unapproachable. Eternal Deformity is more ardent and intriguing than Visions Of Atlantis, but they're not as raw as Ador Dorath, so to speak. An integral part of the music are the synths; besides the familiar classical effects there are also keyboard segments that seem to be inspired by electrogoth, progressive rock, and the burlesque scores played by circus bands. The drums are flexible in their expression as well: stout & wicked fast drumrolls and rhythms more in line with Rammstein peacefully coexist here. The crafty alternations between sedate and heavy periods are especially accentuated by the variety in the singing area. The contradiction betwixt the corrosive death metal snarl, the demure clear male vocals, and the heavenly female vocals generates an exciting sensation of suspense. The melodious and atmospheric songs certainly have no lack of eloquence, which saves them from oblivion.
Despite my sincere opinion that Frozen Circus is convincing in its entirety, a few tracks just caught that extra bit of my attention. At first I was under the impression that 'Little 15' was a cover, but this elegant gothic rock ballad is very much a genuine Eternal Deformity composition. I am almost inclined to believe The Mission or The Sisters Of Mercy apparently forgot to write this charming song. Interspersed with beautiful yet sorrowful violin performances, the closing track 'Lovelorn' efficiently presents the strong points of the band once more, needing a little over seven minutes for that statement. Code666, one of the more interesting labels according to yours truly, was rather impressed and therefore signed the band for three albums. A wise decision, if you ask me.
Grade: 8.3











